OPEN. — i knew that something would always rule me
WHO: dutch + you
WHERE: the training deck, a bar?
WHEN: dutch's first week aboard
WHAT: dutch needs sparring and possibly drinking buddies
WARNINGS: none yet, will edit if necessary
[ additional starters in the comments! if you'd like something specific, hit me up at
abiosis ]
WHERE: the training deck, a bar?
WHEN: dutch's first week aboard
WHAT: dutch needs sparring and possibly drinking buddies
WARNINGS: none yet, will edit if necessary
[ the eluvio is considerably larger than dutch’s own ship, designed to hold a great many more people and to remain in space for far longer periods of time, or so dutch guesses. this is not the kind of ship that can dock at a planet or a moon like lucy’s docked on westerley. in size, it’s more like the rac cruiser or one of the slaver ships travelling the j and beyond. it doesn’t seem to be a slaver ship, at least, but dutch is still on edge, displeased with her displacement and her current situation as a whole. that explains why she’s found her way to the eluvio’s training deck, too: fingers wrapped, feet bare and non-descript athletic clothing on the rest, she’s been punching and kicking a punching bag for a while now, working up a sweat and settling in a steady rhythm of jabs that is broken up by kicks. she’s light on her feet, but her mind feels heavy, some of the same thoughts recurring over and over.
she didn’t get a choice about being here, and if those who’ve come before her are to be believed, no one knows how to get back yet. it’s just another event in a long line of events that dutch never got a say in, and she’s so tired of decisions being made or things happening that impact her like this. she’s tired of it, and it comes out in anger, simmering under her skin and making her punch just this much harder.
johnny left. that’s another things that she keeps coming back to. he’s been her moral compass ever since she’d run away, he’s been her gravity and her centre when she’s been lost, her best friend through it all, and he left instead of letting her ride shotgun on whatever train he’s gotten on. she wants to punch him for that, too, and yell at him, and she wants to hug him because he’s a stupid bloody idiot who won’t let others carry any weight for him even if they offer. because he left.
she can’t punch or hug johnny, right now — or she could, he's here, and maybe she will, but for now, she's punching this bag instead. she really can’t turn back time and make it so that the anomaly or whatever it was never picked her up and spit her out on this ship in a corner of space dutch has never seen or heard of. she can’t, and so she keeps punching the bag, hoping to at least drain some of the anger so that she’ll be able to think more clearly. ]
[ additional starters in the comments! if you'd like something specific, hit me up at

no subject
of course, beautiful and more than able to kill him. perfect.]
Of course, I have flickering moments of kindness every once in a while, the fact that you are stunning probably helps with the whole being nice thing.
[ at least he is honest. he is also aware of her, even as he kind of absently kicks his clothes over a bit, some of his senses still on her. he remembers the one time he stopped paying attention to Barnes when they were sparring once, that-- yeah that hurt and he learned his lesson well then.] Of course you do, is it a prerequisite in the assassin world? It has to be. That's what Barnes could do it too, assholes need to teach me.
[ nice try. he will block that kick easily, his movements focused more on moving her energy away from him rather than trying to use it against her. ]
I assume saying pretty please isn't nice enough?
no subject
Who says I'm an assassin? [ he blocks the kick, and dutch falls back for a moment before mounting her next attack, this one a little more serious instead of just testing the water; a series of quick jabs and punches. ] And who's Barnes?
[ there's nothing sweet in her smile. ]
Not even close to enough. Try harder, handsome.
no subject
you know, the cornerstones to that which is Tony Stark.
there is a laugh at her question that really isn't a question at all. he manages to either deflect or block most of the punches with his forearms, amusement on his face.] You are, or you used to be. I live with enough of them, I know how they fight and move and look at people. Same way you do.
[ even though he knows that she probably outclasses him (she sure as hell moves faster than him) he knows a few tricks, slides down and swings a leg out going lower than he would if it were Steve or Barnes, but where Nat has told him many a times to hit on women who know what they are doing.] And Barnes is another assassin I know.
[ flash of a smile. oh, he is enjoying this.]
Do you prefer more creative begging or creative positions?
no subject
and it should bother her, how easily he's figured it out when even d'avin with all his training could only realise that she's dangerous, not what she was. tony doesn't know her history, he doesn't know about the royal harem of khlyen or any of the things that still make dutch feel lost and scared in ways she wishes she could leave behind forever. it's worse now that she can't even hate khlyen anymore, that she doesn't hate him anymore. but tony says it so casually, without judgement, that dutch finds she doesn't hate the thought of him knowing. ]
Your life must have been interesting so far. [ if he knows two assassins but he's still alive, that promises a story or two. but dutch doesn't ask, or at least not more explicitly than what is already contained in that statement. instead, she moves back, narrowly avoiding his leg. ] Creative positions, hm? Now that sounds promising.
no subject
as much as people like to think that Tony is just a genius when it comes to robots and schematics and the lines of code and math that make up things he events, he has long since learned to master the art of reading people. it was a great skill in the boardroom, when dealing with people like Natasha and Barnes and Maria Hill. being able to figure out if people were going to stab you in the back or potentially the front. there are those that are trained to kill, those who have combat experience, like Steve or even Maria, but then there are those that are trained for gathering knowledge, for bringing down empires from the inside, like Natasha.
and Dutch? reminded him a whole hell of a lot of Natasha.
he is always impressed by people like that.
Tony laughs at the statement, pulling back into his space to assess the room for another attack, and shrugs.] You might say that, yes. Never a dull moment that is for sure.
[ with another sharp smile, Tony feigns right, seeing how well she reads body language, before shifting closer and, perhaps stupidly, trying to get close enough to get under her guard.] I will admit, I am far better with creative positions, but no one has ever complained about how creative I can get with my mouth.
no subject
point is? she has plenty experience reading body language and doesn't fall for his feint. instead, she uses his sudden proximity against him, a few short jabs that he might block, and then she's turning, attempting to throw him over her hip. ]
That so? Not sure I believe it on hearsay.
no subject
his feign doesn't work, and he manages to block the jab, but he doesn't manage to stay upright as she tosses him. he doesn't go down hard at least, rolling with the impact while also trying to pull her off balance.]
Mmmf. Ha, wouldn't expect you to really. Demonstrations are the way to go, of course.
no subject
he manages to roll upon impact, pulling her along, and dutch doesn't try to resist the pull, following him down on the matt so it turns from more of a boxing match to grappling on the ground. she's trying to get a forearm across his throat while avoiding being pinned, her smaller frame and experience against his bulk and muscle tone (and experience, too). ]
You offering?